This exhibition showcases work by the devoted team of volunteers who ensure the smooth running of The Light Gallery, a space dedicated to the medium of photography.
Every couple of years this ragtag bunch have the tables turned on us, and we put on our own show. Each one of us has put our heart and soul into making some really cool work.
You can expect to see a broad range of techniques and concepts. Old school tintypes (expertly crafted), urban triptychs, layered transparencies, investigations of what 'value' is, commentary on gender and culture, modern landscapes, and a pop-art throwback.
Finally, why RRP? It's a comment on the commodification of art, including photography, which we love and treasure. Or maybe it's a subliminal cue to make you buy art.
Join us on Friday 5 September from 6pm to find out.
When:Friday 5 September to Saturday 4 October
Where: The Light Gallery, 138 Richmond Road, Marleston, SACost: $0
For more information, click here.
Atkins are proud supporters of the Light Gallery and the Centre for Creative Photography.
In 2011, we approached our clients to put together a joint exhibition that could travel to one of Australia’s most important art festivals. By 2013, we were ready for the Ballarat International Foto Biennale (BIFB).
For the BIFB we staged the successful DARK exhibition, drawing a lot of interest with a strong collection. From this showing, the idea was cemented, and for some members, the first rung in the ladder was struck on their climb as exhibiting photographers.
Upon returning from the BIFB, the show had jagged the attention of the Adelaide Town Hall, who were just transitioning a space into a dedicated public art venue. DARK was enlarged allowing all artists to submit more work, and rehung for several months, in this remarkable space.
From this success, we made the call to be a part of the 2014 Shimmer Photographic Festival here in South Australia's Southern Vales. Our new show is called LIGHT, and it is being held at the Red Poles Gallery.
We cherish our involvement with artists in photography. It’s become a passion for all parts of our business. We are a pro lab, so we deal with many businesses, dealing with artists is a different experience. However, for us, we are in the business of building relationships. We don’t just print the work, we want to know the intention of the artist, their vision, and we will not rest until it is achieved to the highest level of perfection. We are proud to present this collective of Adelaide Photographic Artists. Each one has a fascinating story, each one on their own journey.
More than any definition of the word, it is the feeling that impresses me. When I think of "light", I feel the warmth of a morning sunrise reaching into my bones, filling me with energy. It is that fullness that I enjoy so much.
Of course without light, there is nothing to see, and certainly no photographs. But "light" here in the exhibition title, is the story of this energy, how it moves us, how it fools us, how it fills us, how it is our everything.
Where: Red Poles Gallery. McMurtrie Road, McLaren Vale SA When: Opening, Saturday August 30 2014 at 3pm. Then through until October 12th Cost: Free
LIGHT has been reviewed by Haydn Radford of Weekend Notes: http://www.weekendnotes.com/light-photographic-exhibition-atkins-adelaide-photographic-artists/
A thought-provoking photographic narrative reflecting the experiences of people living in Adelaide’s Supported Residential Facilities. This collection of photographs is a collaborative project, created by residents mentored by four well-known local photographers, who have built up the confidence and enhanced the photographic skills of residents. The exhibition explores inclusion and citizenship of this generally unknown community.
Join us for the complementary community forum.
A SALA Festival event, co-presented with Seniors Information Service
Where: The Hawke Centre's Kerry Packer Civic Gallery is open 9am-5pm weekdays, Hawke Building Level 3, UniSA City West campus, 55 North Terrace, Adelaide. When: 28 July - 27 August 2014
Marc's most recent work looks closely at our relationship to flowers and their true and implied purpose. The work is visually beautiful and fills our recently renovated front space with colour.
Marc's show runs from July 18th to August 14th 2014, with a private opening Friday July 18th at 6pm.
Link to Marc's website: http://www.marcdbowden.com/exhibitions/
Link to SALA 2014: http://www.salainc.com.au
Shimmer runs parallel to SALA but is a biennial celebration of the many professionally established, internationally acclaimed, emerging and aspirational photographers in Australia.
Shimmer is the only photography festival in South Australia and the City of Onkaparinga is leading the way in supporting and showcasing local talent and attracting the best artists to our community. Shimmer provides professional skill development opportunities to local artists as well as a culturally enriching experience for our whole community.
More than 30 local galleries, wineries, cafes and restaurants involved in exhibiting during Shimmer, the entire area get behind this great festival.
If you want to know more about Shimmer, click here.
What is in it for you?
During the months of April and May 2014, we are asking for submissions from our community to participate in this project. This year's exhibition will be curated by us based on the theme "Light". There is limited space, and entries will be considered on their artistic merit and fit with the theme and other submissions. We feel a single entry per person will work the best, but if you have others you wish us to consider, please let us know.
Submissions close May 31st 214.
Cost of your participation:
Price of your print(s) and framing at Atkins based on the space available (possibly at this stage a square meter per participant). You can choose any presentation method and paper options, but it will need to go in one of our white frames, using any of the five moulding shapes.
Plus $160 payable with the print order. This covers the gallery fee, design and print of promotional material, website for exhibition and design of book that will be for sale that will represent you and the exhibition (if you wish to purchase the book, it will be available at cost to you).
The gallery will take a 35% commission.
How to make a submission.
If you wish to be a part of the exhibition, please submit a single jpeg image, at least 900 pixels on the longest dimension for our review. Please also include your artist statement for the piece. Please email the photograph and the artist statement to firstname.lastname@example.org
Join us in helping Shimmer shine.
We had great success with our DARK exhibition that we took to the Ballarat Biennale, the participants had a great time and we helped put Adelaide photographers amongst the best in Australia. DARK ended up returning to Adelaide and featuring at the Adelaide Town Hall for a second run.
Atkins are very excited to see the realisation of this exhibition. We have been watching the development of this genre here in Adelaide, and especially the exposition of the things us Adelaideians see and take for granted every day. The exhibition opens this Friday, March 21st. Mark Zed, Peter Barnes, Wayne Grivell, Benjamin Liew, and Gary Sauer-Thompson. These five Adelaide photographers get together to show us familiar but newly-seen architecture, inconsequential alleyways, as well as major buildings that are now making their way into Adelaide’s visual imagination.
The Light Gallery at the Centre for Creative Photography, 138 RIchmond Road, Marleston. 21 March to 25 April 2014
Opening night: Friday 21 March, 6–8pm. To be opened by Tim Horton, CEO of the Committee for Adelaide.
Date 13th. February - 16th March 2014, open daily, 10.00am - 4.00pm
Hughes Gallery, Fullarton Park Centre, 411 Fullarton Road, Fullarton 5063
Lois' work explores how the environment and its rhythms affect our behaviour.
"Rhythm is found in urban life and movement. In all biological life forms, and the pulses of our bodies such as heart rate, breathing and pace of walking. The experiment into rhythm provides me with much insight into the workings of everyday life.
The work in this exhibition reflects my experience of rhythms produced through walking in both the urban and country contexts. My recent time as an Artist in Residence at Cleland Wildlife Park allowed me to observe the effects of the wildlife in their environment, most specifically snakes.
“Red Bellied Black Snake” is a series of one hundred small canvas panels that looks at the key to snakes agility and how their movements differ according to the surface on which they slither or ripple. The digital piece “Mesmerised” brings to light the common fear of snakes and reflects our own body’s reaction to them.
My work is a continual experimentation into manipulating and cross referencing between different mediums. Computer technologies, painting and photography, together inform my ideas of rhythm. Ultimately, though it is the idea that determines the most appropriate medium for the message."
Lois Turner 2014
Lois' website: http://www.loisturner.com.au/walking-thinking-walking/
Great prizes - $3,000 prize for best overall, plus printing & framing to the value of $500 from Atkins Technicolour, and a camera plus tuition to the value of $300 from Diamonds Photographics.
It all sounds like great fun and should be a fascinating exhibition. Go for it!! - but no landscapes, this is about people.
Gregory Ackland's photographic series 'Habitus' references the traditions of Romanticism, but Ackland's photographs also reflect the idea of a retreat inwards. A contemplation of the experience of place elevates these images beyond the picturesque to highlight an emotional response to the landscape.
Gregory is a head of photography at the Adelaide School for the Arts, and a talented photographic artist. If you get an opportunity to hear Greg speak at an artist talk, you will enjoy he deep love and understanding of art.
Feb 19 - Mar 19 2014 at the Hill Smith Gallery - First Floor Gallery, 113 Pirie Street, Adelaide SA 5000
Website for Habitus: http://www.hillsmithgallery.com.au/exhibitions/habitus
An exhibition of photographs captured entirely with plastic cameras.
Featuring photographers: Karen Cornelius, Jessica Eckermann, Andrea Francolini, Cynthia Gemus, Sara Huffen, Mike Lim and Mark Zed.
There's an anticipation mixed with disappointment in antique markets and camera fairs. Laid out on tables and tables are mediocre zoom lenses, books on photo technique from the 80s, outdated boxes of photo paper. Sometimes there is a nice old Leica for sale but it's inevitably too expensive. And then, sometimes, there's a cheap camera sitting quietly among all the other things. It doesn't need batteries, it's light (being made of plastic or bakelite) and it might be called a Holga, a Diana, or a Clack. This breed of camera takes film, it's easy to use; just load it up and shoot. You can control the focus a little, the exposure a little, neither very much, and you usually have to remember to wind the film on.
The appeal here is exactly that vagueness about the process and the uncertainty about the outcome. For photographers used to tight precision and control over their images, the approximateness of the picture-making can be a freeing thing. It's also fun, shooting with a camera that you need to close with a rubber band or fix the light leaks in with gaffer tape, or packing a 35mm film into a medium-format camera with tissue paper. This kind of photography has enough appeal for suppliers to manufacture new plastic gear: over half the cameras in this show have been bought new. The accidental quality of the process can result in pictures that aren't exposed perfectly but show a nice depth in the tone; or maybe the multiple exposures overlap in unexpected and serendipitous ways. This is what makes plastic camera images interesting for the viewer as well as the photographer (because, if you're just looking at the result and not playing with the camera, why does how you got it matter?). The accidental results give us a little more than we ask for. All we have to do is let them happen, accept them, and offer them to you.
The Emma Hack Art Prize is a $5000 acquisitive art prize for South Australian based artists from all disciplines, based on a yearly theme. This years prize celebrates the range of contemporary media within the 2014 theme of ‘My Environment’. The exhibition of finalists is now open and will run until March 30th 2014.
The works are not limited to photography, however there is a large photographic component, made up of may prominent Adelaide artists and Atkins' customers.
All artworks will be available for sale (excluding the winner) 15% of proceeds will be donated to AMWWRO: http://www.amwrro.org.au/
Special thanks goes to Adelaide Convention Centre, Raw Pearls and theAdelaide Fringe for their support!
EXHIBITION: 4th-30th March, 2014
A lovely exhibition extending the series of Rust, Salt and Tar by a collective of SA artists, some of our favourite artists are a part of the collective, a big congratulations to Tony Kearney for curating another masterpiece. Hurry up if you want to see Smoke, these are it's last days. Black Diamond Gallery, Port Adelaide, 2014 Adelaide Fringe Festival. Sat 22 Feb — Sun 9 Mar
Smoke and the Port
This exhibition celebrates the product of combustion, the vaporous gasses and particles, the aromatic, the cure, the pale to greyish blue to thick black, the elemental nature of smoke. The artists have played with the properties of smoke, the smoke of fleeting illusion, of mirrors, the unreal and transitory, of concealment and screening.
The presence of smoke has a long history in the Port. Long before the Europeans first sailed up the river, you would have seen the smoke rising from the numerous fires of the Kaurna people who occupied and made use of this land and water. Among their customs was the practice of fire-stick farming as part of a scrub clearing process for hunting and to encourage grass growth for emu and kangaroo.
The Industrial Revolution ushered in an ‘age of smoke’, skies filled with the by-product of the industrialisation and transportation needs of a growing colony. The tallest smoke stacks were in and around the Port, steam trains provided a regular service between the Port and Adelaide from 1856 and coal powered ships eventually replaced sail. All this would have created an all-pervading atmosphere of dense smoke, ever-present in the daily lives of those living and working here.
Unwanted fire also brought smoke. In 1857, the Great Fire of Port Adelaide destroyed a large area of the built Port. In 1924, fire took hold of the ship The City of Singapore which, at the time, was carrying a highly flammable cargo of cased benzine, petrol and kerosene and other goods. The cargo exploded killing four firefighters and injuring many more. Dock Two was renamed Tragedy Dock.
And then there’s the smoko, the ritual that broke the working day into manageable blocks. The smoko is emblematic of the working class Port, it might have started quietly with the carved albatross bone pipes made by seafarers in their idle time, but it soon became an integral part of the employment conditions of every man and woman who worked these wharves.
Marc D Bowden's "it's about time" exhibition is up and running in the Adelaide Arcade for this Fringe festival.
here are Marc's words on his exhibition:
"This series comprises various typologies: ‘wall’, ‘tree’, ‘rubble’, and ‘spiritual place’, among others. They were taken in 2013 on the New Caledonian islands of Ouvéa, Mouli, Maré and Île des Pins, which are mostly inhabited by indigenous Kanak.
France annexed New Caledonia in 1853. 100 years later the first political party to involve Kanaks appeared. After New Caledonian Congressional elections in May 2014, its Territorial Congress will be free to call a referendum on independence.
about time is ostensibly a meditation on the permanency, stasis, and ephemera of things. In fayaoué ii, the fishing poles appear pre-industrial, while the concrete boat ramp in fayaoué iii is contemporary. Side-by-side, however, the subjects suggest that time has passed and progress been made—fixed fishing poles rely on fish finding them, whereas a ramp launches fishers to find fish—yet each exist contemporaneously just kilometres apart.
There is more here, though, than mere things. The image, ouro, depicts a derelict colonial structure of brick, stone and mortar enclosed by equally derelict woodland. Its analogue, baie de niri, is of an inhabited Kanak ‘case’ (hut) made of saplings and thatch, surrounded by a lush tropical garden and forest. What do these images have to say about New Caledonia’s past, present and future?...
Though there is a stillness, if not tranquility, to each image, about time is in sum an allusion to the inevitability and complexity of change. What this collection evokes in terms of New Caledonia's past, present and future is for viewers to interpret.
In creating about time, I thank the Atkins Technicolor team for their exceptional processing and printing, Ms Kate Burns for her handsome catalogue design, and Mr Arnaud Benassy for his expert translations. I also owe a debt of gratitude to Ms Sidonie Henbest for her much-valued advice with all my work."
The show features a new product Atkins has been experimenting with, a double sided material, that moves beautifully with the breezes that pass down the arcade.
Farrago is a group of emerging photographers working on their first photographic exhibition together. The exhibition will be held from the 7th of March to the 4th of April 2014 at the National Wine Centre.
Farrago means a medley, or collection, and has arisen from students of the Center for Creative Photography, here in Adelaide. The print methods vary as do the subjects, it will be an exhibition worth experiencing.
Here is a link to the exhibition website: http://farrago-exhibition.com
Farrago is being partly funded by a Pozible campaign: http://www.pozible.com/farrago
South Australia is very lucky to have Alice Blanch here. I first met Alice's work when I purchased some pinholes of legume families. Pretty and clever work. And I think we all have great admiration and awe for Alice's box brownie panoramas.
This Fringe/Festival, we have two Alice Blanch exhibitions to enjoy, the first is up and running:
Circumference of Wonder is currently hanging at Presence Gift Shop, Adelaide Arcade. This exhibition has been open since Feburary 15th and runs until the 14th of March. Facebook Page Here.
Art and Nature: A Romantic Redux, Alice is a pairing up with Claire Foord and is held at Juxtapose Studios, Shop 3 Cinema Place. it opens on Saturday the 21st of Feb from 6-9pm, All welcome! Exhibition runs until the 7th of March. Facebook Page Here, Fringe Page here.
This exhibition presents the photographic works selected from the 2013 Stage1, 2, and 3 Certificate courses. The works featured are a mixture of traditional silver halide and digital prints. MSC produces a great photographic talent pool each year under the guidance of Malcom Cheffirs. We are proud to support this important education institution, and it's students' work.
7th of March to the 24th March . Opening times : Business Hours 9.00am to 5.30pm. Closed on weekends.
Featured work by Helena and Milan Foll, proudly printed by Atkins. Milan's work has a strong photojournalistic style, whilst Helena's is exquisitely constructed. Lovestruck will be worth a visit this Fringe.
Address: Port Noarlunga Arts Centre, 22 Gawler Street, Port Noarlunga. Open untill 28th March, 10am-4pm
It's like wild fire here in Adelaide, the Fringe festival is on and humming. This is the beginning of a busy year for Adelaide, Mad March is next, and later in the year Shimmer running just ahead of SALA. If you want Atkins to promote your photographic exhibition, and we either printed it, or framed it for you, please read on.
We have set up a system so you can submit your information to us. We ask that you give us the information as text, not just in a graphic so we can format it to suit our communications. When you follow the below link, it will present you with a form to fill in and an upload button so you can send through your invite or 'hero image' graphic.
Here are the steps :
- Follow this link
- Enter the username (Exhibition) and password (promoteme)
- Near the top on the left is a button that says 'add files', click on that
- Choose your JPEG/PNG 'hero' or 'invite' image for the exhibition
- Fill out the form
- Start Uploading
We will then format the information and include it where we can in our communications.
Eggshbition opening: 5pm, 28th Nov 2013 @ 177 Halifax Street, Adelaide.
Silly name, cool concept, that's Skrambled Eggs for you. With more than 350 years experience between them, the Skrambled collective pursue photography as their livelihood, their passion, their creative outlet and their heartache.
This exhibition allows - nay, encourages - each artist to roam freely and play with photography minus the chains of a client brief or living up to anyone's expectations.
Can you believe it's been an Adelaide exhibition fixture for four years? And they said it couldn't last!
The twist? All pics are shot on mobile phones. Suck on that egg.
- I have always enjoyed being a part of this lovely collective in one way or another, the work is always remarkable, and this year is no exception. Get along and see it! Please note, the Eggs opening does conflict with Mick Bradley's farewell, but there should be time to get to both. - Paul Atkins