Exciting documentary about Australian photographer Robert McFarlane

McFarlane

The Still Point Official Teaser from Mira Soulio on Vimeo. The Still Point Documentary Film, by Mira Soulio The Still Point is a documentary film about the work of prolific Australian documentary photographer and photojournalist Robert McFarlane. Mira is seeking funding to complete the documentary for distribution. Below you will find links to the funding

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Florography and the iPhone

The School entrance

Over two weekends this past month, Kate Burns has attended photography workshops in both Sydney and Melbourne that were run by “The School”. The School is the brain child of Megan Morton, world renowned Australian stylist based in Sydney. Megan has recognised the desire to learn the art of making beauty, and she has an huge

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Archiving of assets – an essay

Some assorted D Darian Smith work

This information was written to assist a family in the recording of their assests for all to use. I thought it may be helpful for a wider audience. Assess The first step in this process is to determine the size of the collection and most importantly the sorting out the items that are critical for

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Colour correction using a reference image

A shirley-sRGB

Many people do not realise that an image will require colour correction before printing. Digital cameras have improved greatly, but they are still a long way from providing good consistent skin colour across a variety of scenes. And whilst the light may have become cooler as the day wears on, you don’t have to put

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Light on the Land workshop

Keith Seidel - Light on the Land Workshop

The 2015 Light on the Land Flinders Ranges workshop has now been confirmed for August 16 to 22.  It will again be based at Merna Mora Station, on the Moralana Creek between Hawker and Parachilna.  The workshops are conducted by Keith Seidel and Lou Marafioti and enquiries can be addressed to Keith Seidel on 0418

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Tiffs and Jpegs

JpegVsJpeg1

Let’s begin by stating that the ideal base image format is a RAW file. We sincerely believe that the data straight of the camera’s sensor is the best way to store your image. In our experience, improvements in RAW processing software mean more information can be extracted from your digital camera files in time! So

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The curated year

Paul's End of Days Book

I have come to realise that we cannot keep everything… Obvious, perhaps. But look at your own collection of photos, do you expect to look through all of them one day..? Do you expect your descendants to wade through them? We all love photographs, we enjoy old photos. We love how they make us feel, the

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Film Challenge 2015

filmchallenge

Picture this; mid summer, Adelaide, you pick up one roll of 120 transparency film, load it into your medium format camera, you have one morning to shoot. Midday, you return to Atkins with your exposed roll of film, we process and sleeve, 4pm meet back at Atkins to choose your best frame and a discussion

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